Showing posts with label PSA. Show all posts
Showing posts with label PSA. Show all posts

Friday, November 28, 2014

Blackout Black Friday

#boycottblackfriday i know the hoarders gonna buy junk anyways

A photo posted by REGEND DOT COM (@regend762) on

I am very much in support of economic boycotts, and if the events of Ferguson is not a reason to participate in one, I don't know what is. I also feel that it is important to recognize that corporate economic exploitation does disproportionately affect Black consumers, for a complex variety of socioeconomic reasons I would rather not go into here. However, I did want to offer for your attention two roundups of black-owned businesses to patronize year round. Social activism may and should be supported by economic actions, so please check out these lists by Fly Girl Blog and Afrobella:

Fly Girl Blog: Black-out Friday: 50+ Shops to Support
Afrobella: 101 Independent Black Businesses to Support for Blackout Friday 

Please feel free to add more in comments! And please consider refraining from shopping this weekend, because this has to stop.

Tuesday, September 23, 2014

Luxe Fabrics and Political Choices

The quality of air is different in the fall -- the temperatures that would feel balmy in July are downright brisk in September. Either that, or I am deluding myself in order to wear wool when it's almost seventy degrees outside.

Merino wool, to be exact -- this COS lightweight top is a dream, in a warm beige and luxurious drape, and the pleated sleeves give it a distinct yet subdued character. 





The skirt, however, is the real showpiece here: it is by Litkovskaya, a Ukranian designer, and I recently bought it from Suitster.com, one of my favorite online stores. The material is a substantial, stiff silk, almost taffeta-like in quality but with a rough finish that feels a bit like wool. (Another reason I like overseas shopping is the variety of quality natural textiles, especially silks. Silks in the US market seem to be largely dominated by chiffon and charmeuse, with some washed silk thrown in for good measure. While I enjoy all of those, I also seek out heavier weights and raw silks; so far, Suitster and VanHongo are my go-tos for those.)




And the side view, showing the intricate pleating of the skirt, and the side sweep of the hem. It is quite architectural, and cleverly constructed: the closure is via hidden snaps in front, which allows the skirt to move well despite the rigid fabric. I chose Rachel Comey shoes with wooden heels here because they seemed to work with yet against the more dressy elements. They also played well with driftwood of my reading chair!


The necklace is from Luv AJx JewelMint collection, and it is lovely. Here's its closeup (and my fresh manicure).




And there is also another thing. Shopping and clothes are frivolous, no doubt. But, as any social institution, it matters in that affects our lives as well as lives of those who make the clothes and run the shops. I became interested in fashion as an extension of my fascination with social movements, and specifically the intimate connection between the US garment industry and labor union and suffrage movements in the early 20th century. But even today, manufacturing and distribution of clothing are deeply connected to the social institutions and political climates, and one cannot escape being enmeshed in politics of it all. And I really get that sometimes one doesn't feel like dealing with the complexities; sometimes, high street (like that lovely COS top above) is just fine.

But sometimes, I want to consider what economies are being supported with my spending. And this is when I shop small, local, indie, etc. And I have been making a concerted effort to support Ukrainian businesses and designers. Most of you have some knowledge of the tragedies that have befallen this beautiful country and its people lately; I am heartbroken about it. And I think people and institutions of the West too readily default to charity as a way of supporting struggling countries, with not enough attention given to investing into local economies and supporting local manufacturing. It seems to me that making economies more sustainable is quite beneficial in the long run.

So no, I won't pretend that my shopping will save the world or even solve any of its problems; but I do feel that when we decide to spend money, where and how we do so matters, and thus our choices should be considered... at least some of the time. I wouldn't expect anyone to ditch Zara just yet.

Wednesday, August 13, 2014

The Morality of Health




There was much of outpouring of grief regarding Robin Williams' suicide; there was also much (needed) talk about how people with depression are stigmatized, and how suicide is not a failure but the very tragic outcome of a serious illness. I am glad this conversation is happening, but I cringe every time when someone says "They would never say that about someone who died of cancer", because they would and they DO. We live in the society that has made health a moral obligation, and illness a moral failure (which makes death downright embarrassing, and this is I guess why we cart off our dead in night to funeral homes).

We frame talk of disease in terms of fighting a war. We talk about the power of positive thinking. We assign blame. (Oh, you have diabetes? Are you overweight? Oh, you have colon cancer? Were you eating enough fiber? etc etc.) It is bad: if you or someone you love have been diagnosed with a serious illness, most everyone you know will share a personal anecdote about their cousin/friend/friend's cousin who was diagnosed with (some unspecified) cancer and was given six months to live (always six months for some reason), but who prayed/thought positive thoughts/ate macrobiotic diet and was "cured", and then all doctors were amazed and called it a miracle. The story never changes -- even wording is the same. It's the all-penetrating meme that masquerades as a concerned friend offering hope but in reality it is simply another manifestation of the virulent idea that you are responsible for your own health, and if you die of cancer, it is because you were not positive-thinking hard enough.

It comes I think from what David Ehrenfeld called "the arrogance of humanism": the persistent belief that humans are in control of their minds, bodies, environment, and therefore we can fix things when they go wrong. Combine it with the libertarian love of "personal responsibility" and boostrapping, so much promoted by the wealthy and other dominant groups. They want everyone to be self-reliant, so that the governments do not have to support the poor and the sick. Poverty and ill-health are a lot alike in some regards: everyone would like the poor and the sick to just go away, or at least have the decency and admit it's their own fault. Meanwhile, of course neither illness nor poverty are ever the fault of the afflicted persons. And of course they overlap a lot. It is amazing how convinced we become by this rhetoric.

You can see that in many facets of weight-loss campaigning, the implication being that it is not about aesthetic preferences of the society (it is) but because of concern about fat people's health (it isn't). And it is common knowledge that doctors routinely discriminate against overweight patients (especially women), assigning every illness to their being overweight, and recommending weight-loss as panacea. Those who die from complications of bariatric surgeries are treated as (ultimate irony) obesity-related deaths. And the death of a fat person is a double failure: failure to control flesh and failure to effectively battle illness. No matter what happens to an overweight person will be their fault, and they will be chastised by concern-trolling strangers for every trespass, no matter how small -- eating in public or having the gall to have high blood pressure.

So here we are, when every person diagnosed with cancer is "fighting bravely" and often "losing the battle with cancer". Every newly diagnosed will be gently questioned about their life choices to ascertain what was the cause of their illness (and if they were simply too poor to move away from a toxic dump near their birthplace, well that's just too bad). Because people are reluctant to embrace the fact that misfortune -- health-related or financial -- is often random, and might strike anyone at any time. no matter how many servings of vegetables they eat per day. Depression and other mental illness is no different: it is stigmatized, just like most other chronic illnesses, and it is attributed to something the person who has it had done wrong. Admitting the randomness would mean realizing that it could strike us, regardless of how many things we do to guard against it. And this fear, I think, is the ultimate cause of the failure of empathy and humanity that manifests every time someone calls Robin Williams a coward. Death is never a failure, but it is always sad.

Friday, March 21, 2014

Links a la Mode - Independent Fashion Bloggers

Honored to be included with this week's Independent Fashion Bloggers roundup! A few great posts here, and of course I appreciate my little blog being included again.

lalam0320

Stylegiest

This week in fashion has been bittersweet. First we lost a very talented woman, L'Wren Scott. Then the end of a particularly brutal Winter, Spring has officially begun. It's the changing of the guard, endings and beginnings, reminding us that nothing is forever. We have several links that challenge both old ideas (racism, sexism, both) and how to bring in the new (setting our Spring budget, getting to the gym, improving our diets) and even a nicely written post sympathizing with Fashion Blogger's significant others -- they have it so hard putting up with us!

Links à la Mode: March 20th

SPONSOR: East Dane Seea, Jed Marne, Michael Michael Kors, Ferragamo Sandals, YSL, SH Athletics, Ben Minkoff, Faherty, Venroy, Jimmy Choo

Saturday, March 15, 2014

Women's History and Diversity in Fashion

Besides March being the women's history month, this is also the time the fashion industry seems to reflect on its own lack of diversity -- even Anna Wintour's letter in March Vogue was dedicated to lamenting the harrowing whiteness of fashion. It seems especially interesting since fashion industry, traditionally dominated by women and gay men, has often found itself in the fringes in terms of respectability. And yet it remained perfectly content to exclude people of color, apart from occasional breathless infatuation with, say, Lupita Nyong'o, bordering on fetishistic. But I digress.

Diversity is one of those concepts that is fairly easy to pay lip service to, and it is also easy to complain about lack of diversity on runways etc. I am however a strong believer that while "voting with your wallet" might not always be the best strategy, directly supporting women- and especially women of color-owned businesses is a realistic way of effecting change. To that effect, here's a quick roundup of fashion designers who deserve our support.

1) H+OKO -- I heard about this new company recently, and fell in love with their edgy and yet work-appropriate minimalism.


How gorgeous is this top? While it's slightly reminiscent of Jil Sander, Nigerian-American Cin Oko and Korean-born Kay Ha are bringing their own sensibility and aesthetic to their first collection. The clothes are gorgeous, well-constructed, and appropriate to a variety of situation -- 9 am to 5 am, as the creators call it. They are currently running a Kickstarter, and I hope it gets funded. And this is a great, direct way to actually have an effect on increasing diversity in the fashion industry, not to mention, domestically-produced (they are based in NYC) clothing.

2) Another New York brand I wrote about before is Mandarin & General, which continues to produce lovely clothes inspired by traditional Chinese garb, by Taiwanese-born Peggy Tan. This is a line created by a cultural insider, and as such represents true authenticity as opposed to appropriative "inspiration".
It is also gorgeous, and the pieces, while beautiful by themselves, can be combined into unexpected proportions and interesting play on textures:



3) Finally, our perennial favorite -- Van Hongo, by the Japanese-born Izumi Hongo. You can find the review od her 2013 collections here, as well as links to reviews of all previous seasons., Her newest season, SS 2014 demonstrates her continued commitment to increasingly simple silhouettes and attention to textiles:




This collection is called The Layered Garden, and the layered looks and the pastel colors do evoke an image of a watercolor, with slightly blurred outlines and the colors ever so gently diluted. I appreciate how with every collection there are always references to what came  before (crossover tops, slouchy trousers) but also always something new, and how it seems to be progressing toward cleaner and simpler shapes. I really have been enjoying very basic yet interesting shapes lately, and this collection really hit a sweet spot. Her online shop has a great selection of knits, and those are amazing -- layered and complex, and truly unusual in their texture and technique.

So here you have it. For those of us who are interested in a plurality of viewpoints represented in fashion, it's a great time to step up and support independent designers. 

Sunday, October 20, 2013

The Mammoth Book of Victorian Romance



And at long last, I am ready to announce the lineup for my next anthology -- it's in the mammoth Book series, and I am pleased as punch to have a chance to work for such a prominent series. As the title suggests, the stories are Victorian in sensibility, and all feature romance in all its iterations -- from nascent infatuation to the horrible decay of a loveless marriage, from ghostly apparitions  to love that dares not speak its name, and of course a lot have quite a bit of fantastical elements mixed in. All but two stories (Caethe and Knight) are reprints, although Trent's piece has been significantly expanded from its previous iteration. Also I am including two classic Victorian shorts (Braddon and D'Arcy), because really, how can we talk about Victorian romance without providing some genuine period pieces?

So enjoy this brilliant ToC, spread the word, and buy the book when it comes out. I'll post the cover art once I have the final version (and the drafts I've seen are looking lovely.)

“Seeking Asylum” by Vivian Caethe
“A CHRISTMAS CARROLL: A Strangely Beautiful novella” by Leanna Renee Hieber
“Outside the Absolute” by Seth Cadin
“The Emperor’s Man” by Tiffany Trent
“The Lady in Red” by Eliza Knight
“Where the Ocean Meets the Sky” by Sara Harvey
“The Queen and the Cambion” by Rick Bowes
“The Dancing Master” by Genevieve Valentine
“The Tawny Bitch” by Nisi Shawl
“The Problem of Trystan” by Maurice Broaddus
“Irremediable” by Ella D’Arcy
“Item 317: horn fragment, w.illus” by E. Catherine Tobler
“Jane” by Sarah Prineas
“The Wide Wide Sea” by Barbara Roden
“Her Last Appearance” by Mary Braddon
“The Cordwainer’s Daintiest Lasts” by Mae Empson
“Waiting for Harry” by Caroline Stevermer
“Queen Victoria's Book of Spells”  by Delia Sherman
“Lamia Victoriana” by Tansy Roberts
“The Effluent Engine” by N. K. Jemisin
“A Kiss in the Rain” by O. M. Grey

Friday, March 15, 2013

Suzy Menkes and the Art of Sartorial Othering



So if you follow the fashion blogosphere at all, you probably noticed the splash made by a recent Suzy Menkes article, "The Circus of Fashion". Go on, read it -- it's controversy-generating, to say the least. Many fashion bloggers have responded, from The Man Repeller's Leandra Medine to Natalie Joos of Tales of Endearment.

And this is a debate worth having. The bloggers do admit the circus (or, if one is inclined to kindness, performance) aspect of the fashion week. And then it takes the turn into the well-worn rut: the "old media" complains about those damn kids who just go and start blogs with no qualifications, while the bloggers point out the democracy of the internet-based fashion coverage. We then take a swing at street style photographers and those who bait their attention, and discuss the merit of various bloggers; this is nothing new. This is the conversation we have been having for years now.

However, there are two things that rarely get mentioned: the debate is of course not so much about different forms of media or even about the old guard vs the new guard. The discussion is very much about old money and new money, the contempt the former has for the latter, and the reasons for said contempt. Because the main difference between, say, Menkes and any of the bloggers she is slugging is that Menkes is employed by NY Times, which is paying her salary. The designers might refuse her an invite to their shows should she displease them with her reviews, but neither her income nor her ability to review their collections (as Cathy Horyn aptly shows) would suffer. That's the helpful thing about the Internet: now everyone can review the collections as they hit the web in real time. But I really think that the issue of income is an important one: bloggers DO rely on sponsorships by brands, and as such, are vulnerable to retaliation. Withdrawal of sponsorships and ads, not to mention free stuff, would affect the ability of a blogger to be entirely honest in their reviews. I mean, if Cathy Horyn was a blogger, she would not have many sponsors to disclaim in her posts, if you know what I mean.

So Suzy Menkes does have a good reason to be suspicious of bloggers: many do write amazing content. And yet, fashion industry does provide their income; biting of the feeding hands is generally not a wise strategy, at least for those whose main source of income comes from the fashion industry. And yes, I am certain that most bloggers DO genuinely like the things that they review. However, negative reviews are rare in the professional blogosphere. Most of the reviews are overwhelmingly positive, and the not-so-thrilling shows, products, and shoes are merely not mentioned (just like money in polite company).

The second aspect is a lot less defensible though. The bloggers and street fashion stars that Menkes calls out almost all are either people of color or Eastern European -- two groups that tend to spoil Westerners' vacations and other moneyed pursuits. It's hard to take Menkes seriously when she complains about fashion week becoming a "circus", as she sounds very much like anonymous sources in W Magazine that wibble about Saint Tropez not being what it used to be due to an influx of "rappers, Arabs, and Russians" (direct quote). The targeting of these groups is especially obvious once Menkes compares the show-off nouveau-riche to the ever-classy and super French: Emmanuel Alt, Virginie Mouzat and Ludivine Poiblanc. The "understated chic" is presented as an inherently superior alternative to the "look at me fashion" -- the conspicuous consumption by the groups that has been denied access to luxury until very recently.

It is almost funny to see Menkes say, "It is great to see the commentaries from smart bloggers — especially those in countries like China or Russia, where there was, in the past, little possibility of sharing fashion thoughts and dreams", without apparent awareness that the very people she is chiding are mostly Russian and Asian or of Asian extraction. Basically, the previously fashion-deprived are welcome to share in the glory of fashion as long as they conduct themselves by the rules established by their betters -- French and East Coast USA fashion editors, who consider visible luxury gauche (gotta love the oh-so-Puritanical disgust of things that LOOK expensive), and who would tut-tut those newcomers for their lack of restraint and manners.

This appeal to good taste is a fascinating tactic of sartorial othering, the one that is deployed very quickly at any sign of status quo being threatened. We constantly read articles reporting how luxury goods markets are going through the roof in BRICS countries, with the authors' disapproval palpable. Even in this ostensibly post-colonial era, we know who is in charge because they are the ones who set the rules of what is and isn't in good taste, and who should and shouldn't be spending their money on Gucci sunglasses. And while I generally enjoy smart fashion coverage done by the old guard of Menkes, Horyn, and Yaeger, and I do believe that their financial non-dependence on fashion is essential to their freedom of expression, I do not relish Menkes' finger-wagging. This is a favorite tactic of the dominant group hellbent on maintaining their dominance, and that is just in bad taste.

Saturday, January 26, 2013

One More Thing About Eating Disorders



I recently read a couple of articles about anorexia, and they got me thinking about the positioning of eating disorders in the society. First, there is this, from a couple of years ago: tl;dr version is that JK Rowling saved the young actress who plays Luna Lovegood from anorexia by writing to her. Quick disclaimer: I am sure that Ms Rowling meant well, and ultimately she was helpful. What I do have a bit of an issue with is this sentence: "anorexia is destructive, not creative, and the brave thing was not to succumb to it.” And of course sending the girl to a professional would be the right thing, but that's a whole other issue.

Bravery, see, implies a personal choice. We use it so often to refer to diseases that what was never a question of morality but simple luck somehow morphed into an ethical decision: "he fought cancer so bravely", "long battle with MS", etc etc. With the implication that those who died, lost -- because they haven't fought hard enough. And anorexia is a disease, the kind that is not actually recognized as such by the overall societal discourse (despite being a legit DSM diagnosis), and framing it in those terms only contributes to the idea that anorexics choose to starve themselves.

Try it. Try not eating. It is difficult -- almost as difficult as not breathing or drinking, because for most people survival takes over and they will eat once their body feels starved. Not so with anorexia nervosa, and it does no one any favors to treat it as some hysterical affectation teenage girls succumb to because they see too many pictures of models. Trivializing mental illness is nothing new, of course, but it seems that it is especially true of mental illness that is thought to affect mostly women.

And thus my second point: anorexia in men seems to be "on the rise". I question the "on the rise" part because traditionally anorexia has been associated with religious asceticism, primarily in monks. Recently however we so relegated this condition to the lady realm, that some psychologists even feel that the diagnostic criteria for anorexia are gender-biased (that is, loss of a menstrual cycle -- a criterion that is obviously absent in men, but nonetheless might make the clinicians more reluctant to diagnose men). So now we even have this repellent term, "manorexia", to further emphasize that this is a lady thing. Because ladies are the ones who succumb to external pressure to look thin -- and we can certainly be excused for thinking that, because women DO exist in a constant state of bodily scrutiny in a society that tells them that their looks are their only worth.

As a result, there is an intense external pressure on women to conform; this is why so many women diet, self-criticize, and live their lives on the ellipticals. Women are pretty much expected to have pathological relationships with their bodies -- hence the usual bonding over self-loathing, so frequently spoofed in sitcoms and yogurt commercials, and ritual expressions of guilt over cookie trays. College campuses organize "no fat talk" days to curb the traditional self-shaming. So yes, clearly there is trouble.

And yet, not all of these women -- in fact, not even most, not even a great percentage! -- develop anorexia. The reasons are similar to why we can all watch sad movies, cry, and yet not have depression. Mental illness is internally driven -- anorexia, for example, is often thought to originate from the extreme need to control one's environment; it's a response to the internal need (for control), not mere external pressure (to look good). And pretending that these two different problems need to be treated in the same way is destructive -- as if we decided to battle depression by banning sad movies.

So yes, let's put a kibosh on constant body shaming and demand for women to be decorative, occupy little space, and keep their mouth shut. Let's accept a wider range of beauty. Let's tell our children that it is indeed brave to maintain a sense of self-worth regardless of what other people say about your appearance. Let's stop pathologizing female bodies altogether. But also let's recognize that mental illness is indeed illness, and take it seriously enough encourage those affected to seek professional help. Because, like with any other illness, telling someone to put up a good fight might not be enough. And really, being ill is bad enough without people telling you that you only succumb to it because you are weak.

Saturday, September 22, 2012

Links a la Mode again!


I promise there will be some new content soon. A thing I'm mulling over right now is that Salon.com article about September Vogue spread that only featured male writers, so of course I have thoughts on that. meanwhile, here's another roundup, courtesy of IFB.

A Little Different

  Edited by: Jess of Fresh Jess If I had a dime for every outfit post out there, I’d be a billionaire. With so many in the mix, it makes the “different” posts stand out that much more. For this week’s Links a la Mode roundup, you’ll get a peek into IFB bloggers’ lives well beyond their closet. Many of them are tuned into Fashion Week, fall trends and Fashion’s Night Out, and have put some serious thought into how these major events affect their own personal style. Others are beating to their own drum, telling stories of how dreamy places, artistic notions and the evolution of street style are bringing their wardrobes alive. Whether you’re enjoying the first, crisp breeze of fall or savoring an Indian summer, there are some great reads from some truly unique voices here for you. Enjoy!

LINKS À LA MODE: THE IFB WEEKLY ROUND UP: SEPTEMBER 20TH


  SPONSOR: Shopbop Discount Codes : Kymerah, orYANY, Rachel Roy, Overture, Kaelen, Shine, April May, Sale, Alice Temperley, Knee Highs & Winter Boots

Saturday, September 15, 2012

Links a la Mode

And my review of Van Hongo's collections made it into this weeks Links a la Mode by Independent Fashion Bloggers. Fab!



Oh, FNO!

  Since it’s inception, spearheaded by Anna Wintour and Conde Nast, Fashion’s Night Out has grown into a global celebration of fashion and retail – and an excuse to stay out late, sip on fancy drinks and maybe encounter a celebrity or two. Many of this week’s posts shared the FNO adventures of our global community – from London to Dusseldorf. There were also some wonderful illustration-infused submissions that breathed fresh life into the idea of an outfit post, as well as more than a few transportive, dreamy posts about Versaille, Louis Vuitton, dressing for the Alps and more…  

LINKS À LA MODE: THE IFB WEEKLY ROUND UP: September 13th

  SPONSOR:: Shopbop : Ten Crosby, Cut 25, Tocca, Judith Leiber, Vince, IRO, Skirts, 50% Sale, Miista, Boots & Sweater Dresses
If you would like to submit your link for next week’s Links à la Mode, please register first, then post your links HERE. The HTML code for this week will be found in the Links a la Mode widget on the right side of the blog, and will be published later today. ~ Jennine

Sunday, September 02, 2012

Today in Moral Panic



(Photo credit: www.zara.com, Zara Woman campaign featuring Freja Beha Erichsen)

So a number of news outlets ran a story about Zara -- a fast fashion chain, who is apparently not doing as well in the US as the rest of the world due to the fact that their sizes run small. That part itself isn't particularly controversial -- I am not a big Zara shopper, as I tend to avoid fast fashion in general, but occasionally I am tempted to try on an especially trendy jacket (haven't bought anything yet), and I know their sizes are actually the same as most designer versions (which tend to be almost aggressively anti-vanity sized). But compared to Gap, Banana Republic, JCrew these sizes do run small. Or, if you prefer, Gap etc have fallen victim to "vanity sizing".

I find the term "vanity sizing" very curious -- it seems to place the responsibility on the wearer rather than a manufacturer. As if it was the wearers who demanded that the manufacturers redefine their sizes to assuage their egos. This is of course not the case -- women for one didn't decide that they need to fit into the smallest size possible in a cultural vacuum. The media is saturated with references to acceptable sizes for women -- size eight, four, zero have all been touted as THE size every woman should fit into or at least get as close as possible to be socially acceptable. Without those 8s, 4s and 0s referring to a real thing (like, say, a specific measurement in inches) what is to stop the manufacturer from shifting those sizes to sell more units to women, basically luring them with promises of social acceptability IF THEY BUY THIS DRESS? Nothing, of course, and it is not the wearers and the buyers who are to blame -- it is the unrelenting pressure from the society and the basic tenet of capitalist economy: dissatisfaction will keep us buying. But yes, we still blame the victims. NB: and of course since there isn't a TRUE size 0, 2, 4 etc, since sizes are arbitrary anyway, so the whole "vanity" thing is a bit of red herring. But I'll roll with it anyway.

(Of course if it was indeed the issue with people getting bigger, the sane response to it is not to redefine the existing sizes but rather add more clothes at the larger end, and extend the sizing as necessary. But now many stores are not carrying anything over the size 16; plus-sized departments are often depressing, ghastly places populated by juvenile ruffles, sassy t-shirts, and potato sacks. Although this is changing, attractive larger clothes are still hard to find, and plus-sizes are still segregated. And we are forced to conclude that vanity sizing is not the result of the manufacturers trying to accommodate a larger customer but rather to sell more crap by peddling illusion of social acceptance).

The victim blaming, hand-wringing and pearl-clutching get fascinating in comments to those Zara articles. It is perhaps best exemplified by the following comment: "Vanity sizing is partially responsible for the obesity problem in America. If a women buys a dress and the tag says she is a size 6 when she is really a size10, then she feels her body and weight are just fine because she is fitting into a size 6."

Yes, people. Vanity sizing is killing us all because apparently there are fat people among us who don't realize how truly fat they are (hint: there are not a single fat woman in the Western world who doesn't know she is fat. We remind them daily.)

Then there is an issue of morality, again. You see, Zara is a business, and their sizing is not a moral choice but a business one: do they need to extend their sizes (which, by the way, is different than vanity sizing -- they can keep the existing sizing scheme but simply carry additional larger sizes) to accommodate customers who would be happy to give them money if they could find clothes that fit? Many commenters don't think so. They approach it as a moral issue (you don't deserve these clothes!):

"Americans need to lose weight...period! I am 5'7" and weigh 115. I am a zero in vanity sizes at stores like Banana Republic, or Old Navy. At Zara and H&M, I am a 4! If these stores change their sizing, they will need to make xxxs to accommodate the leaner individuals, such as myself! I say, keep the sizing chart as it is Zara! If fat Americans don't like it, tell them to eat a salad:)"

Zara should apparently just fail financially to make a point. Not to mention, that I wonder if people who are sized out of Zara are truly the ones who are seriously overweight. Most people who shop at plus-size stores are unlikely to set foot in Zara and such retailers (and if they did, they would likely be hustled out of the doors by salespeople.) But that of course is besides the point; I do find it interesting however that to many people accommodating larger sizes seems to mean discontinuing the smaller ones, which of course it doesn't have to, not to mention catering to the rampant self-indulgence.

So on balance, it seems to me that complaints about vanity sizing are just a form of concern-trolling (but how will fat people know they're fat? This ignorance might kill them!!!) Because really, everyone deserves flattering and well-made clothes that make them happy. The manufacturers are of course free to define their customer base; they are free to shoot themselves in a foot if they are so inclined. But let's not pretend that their decisions are at any point driven by morality -- even when they should be, like when they use our anxiety to sell us crap.

Saturday, February 11, 2012

Con or Bust!



Con or Bust is an annual auction, which helps fans of color/non-white fans attend SF conventions. This year, I have three items for auction:

1) A signed copy of The House of Discarded Dreams;
2) A signed copy of Heart of Iron;
3) and a Wardrobe Refresher, where you have a chance to hire me as a virtual personal shopper.

Bid, and raise money for a great cause!

Wednesday, February 01, 2012

Ukrainian Designers FTW!

I meant to do this post for a while now. Refinery29 recently did a post on seven emerging European designers, and among them they mentioned Sasha Kanevski. Ignoring their strange wording ("it’s the fusion of the modern feminist meeting the ultra-hip Eastern European cousin" -- what is wrong with this sentence?!), I was really glad to see his name. While his esthetic is a bit too youthful for my middle-aged self, I do admire a lot of his clothes, especially knits:



A tad Alexander Wang with a more avant-garde/military sensibility, well cut and clean-lined.

However, Kanevski is only the tip of the iceberg. In recent years, Ukrainian design really has been emerging as a great force, with many tending toward avant-garde but with frequent nods to classic cuts, with feminine estehtic that still managed to skew away from overtly sexualized. In other words, gorgeous stuff.

So I wanted to mention a few of my favorites. First, Fedor Vozianov. Talk about Scandinavian minimalism/clean-lined avant garde that still manages to stay wearable and dare I say pretty?




Yeah, I do. And of course I do especially dig the grey, white and black palette with occasional corals and yellows. And the shoes shaped like paws. Oh heck, just everything!

Then there are Natalia Kamenskaya and Olesya Kononova, the designers of Kamenskaya-Kononova. Their designs are more traditionally ladylike, with rich and sophisticated colors, refined midi silhouettes, and shredding.




Then there are vivid colors of Nadya Dzyak:



Small unexpected details and interesting colorblocking make this traditionally drapey silhouette not quite so.

And last but not least, Liliya Litkovskaya. I just am so enamored of her severe and beautiful esthetic.



I am so impressed with this group of designers. I hope that for some of you this is new info. There is really nothing more I like than introducing people to creative minds I admire. Now, if I could only get Tilda Swinton to wear Vozianov and Litkovskaya!

Wednesday, January 18, 2012

Saturday, November 26, 2011

Links a la Mode

And once again, I find my post among this week's Links a la Mode. Thanks, IFB!


Getting Into The Spirit


Edited by Taylor Davies

Thanksgiving is now officially behind us, so it's time to start looking ahead to the coming holidays and all the fan-fair that comes along with them. From Black Friday shopping to holiday parties to festive DIY projects, there's a lot of inspiration in this week's Links a la Mode selections.
Along with all this inspiration, a few of our bloggers tackled some tough issues, from finding the balance between sexy and frumpy dressing in the workplace, vanity sizing, recession dressing and improving your blog posts. I thought these were important and critical to include for this week's round up, because even as the holiday season gets into full swing, and we're overcome with twinkling lights, festive parties and sequins galore - the same problems and difficulties we face the rest of the year will be here.

THE IFB WEEKLY ROUNDUP: LINKS À LA MODE: NOVEMBER 25TH



SPONSOR:
Holiday Sale at Shopbop: Rachel Roy, Anya Hindmarch, Rachel Zoe Bags, Coated Denim, Vix, Paige Jeans, Boots, Alexander Wang Purses, Sonia Rykiel, Tory Burch Bags, Vince Tops, Marc Jacobs Bags & Shoes.

PLEASE READ IF YOU WOULD LIKE TO PARTICIPATE
If you would like to submit your link for next week’s Links à la Mode, please register first, then post your links HERE. The HTML code for this week will be found in the Links a la Mode group will be published later today. ~Jennine

And on a different note: yesterday I caught some Project Runway reruns (Season 4), and one of the challenges was to revive a hopelessly outdated and "out" trend. Which included fringe, cutouts, poodle skirts, neon, baggy sweaters, underwear as outerwear, dancewear, shoulder pads and seventies silhouettes -- that is, all those things that are all over current runways and stores. And sure, yes, fashion changes, trends come and go, that's obvious. My delight came primarily from watching Nina Garcia and Michael Kors four years ago ridiculing things they are enthusiastically shilling now. So trends don't only come and go, but with them they bring massive paradigm shifts, so that people can see something they used to think was ugly as beautiful, without experiencing cognitive dissonance.

Or is it that social psychologists are right, and extrinsic reward (gobs and gobs of money) is in itself enough to reduce the feelings of the dissonance, and the enthusiasm with which fashion mags offer us seventies silhouettes they thought were HIDEOUS just a few years back is genuine, because they certainly make enough cash to offset the feeling of inner conflict? I sure hope so. But I wonder how do the consumers of fashion -- that is, people who do not get paid -- reduce these feelings. I mean, we are contradicting ourselves, and are doing it for no reward. Is cognitive dissonance the engine that drives the consumption engine? Do we buy stuff to just shut up that dissatisfied voice inside that tries telling us that there is no reason to like stuff now if we hated it last year?

Oh Project Runway. You make me ask so many questions.

Saturday, May 14, 2011

Other People's Books

Grades are all turned in, so I can finally blog about books!

1)

The long awaited Steampunk Bible is here! I got my copy, and it is lovely. I won't lie -- I was pleased to be mentioned as well as quoted extensively, so yay. Here's a page on which I'm mentioned along with Cherie Priest:



It's a gorgeous, gorgeous book. It was also reviewed here and here.

2)

Genevieve Valentine's Mechanique is out. It is a remarkable book: the prose is beautiful yet spare, and the world of the circus is drawn with great detail and psychological precision, showing remarkable insight into how people work (physically as well as psychologically). In contrast, the outside world is barely suggested, and because of this intentional obliqueness it seems vaster, more alive with possibilities -- like a line drawing, in which a tree is suggested by only a few lines, the world of Tresaulti relies on the reader's mind to recognize the fullness of familiar shapes in a mere suggestion. It is a beautiful book, and if you at all like circuses, intense drama, damaged protagonists and mechanical people, I cannot recommend it highly enough.

3)

Nick Mamatas' Sensation and Starve Better are out. Both are really good books -- the first is a novel about parasitic control and its role in shaping human history, and the latter is a compilation of actually helpful advice on writing short stories. Both are short, and remarkably refreshing. To get a taste of Nick's brand of advice, check out his Booklife articles on Professionalism, Craft, and Story.

4) Finally, Jeff VanderMeer had a very interesting series of posts on Finnish SF. Two Amazon blog entries are here and here. I'm always thrilled to see some recognition for non-Anglophone SF.

Monday, March 21, 2011

Updatery and Appearances



Next week, I'll be attending Nova Albion Steampunk Exhibition in Santa Clara, CA. If you're around, please say hello. I'll be participating in a panel on Victorian modesty and body image, doing a signing, and generally hanging out. Also, Heart of Iron ARCs will be available there. I will have very limited quantities, but this is the only way to get this book before its release in July. Come to the signing if you want one!

(There also might be impromptu readings at the bar. Consider yourselves warned.)

Thursday, March 03, 2011

New Anthology



(Picture from "Alexander McQueen -- The Savage Beauty" editorial)


I'm editing another anthology for Prime, and am now open for submissions.

"Bloody Fabulous:

Lace. Leather coats. Open collars over exquisite collarbones. A single red drop on paper-white cuffs. Each fiction genre has its sartorial signifiers, and urban fantasy is no exception – from the brocade extravagance of the Unseelie courts to the ubiquitous leather of supernatural detectives to the old-fashioned good taste of wealthy vampires, we are as familiar with them as we are with the supernatural attributes of the protagonists. However, despite the prominence of clothing in urban fantasy, fashion is usually a supporting actor. In this anthology, we want to give it a center stage (or a runway). Let the tales of tormented designers and well-dressed vampires strut into the light, and finally get the attention they deserve. BLOODY FABULOUS is a collection of urban fantasy tales, featuring vampires as well as other supernatural creatures, but focusing on the world of fashion and its intersection with the uncanny. Get ready, get set, get fabulous!"


Now, to the specifics: just like last year, I will be making my selections in December, so there is a good chance that I might be sitting on your story until December 2011 -- keep that in mind if submitting early. The official deadline for submissions is December 1st 2011. I always want reprints (1c/word) and originals (5c/word); please feel free to suggest reprints by other people, if you think of something that fits the theme. 1,000-7,500 words is the strongly preferred range.


Some other particulars: for this antho, you should probably know something about or have interest in fashion. I don't want stories about anorexic models -- generally, body snarking is not welcome. Cliches are best avoided; satire is generally tricky. If you do satire, make sure that you do know a LOT about fashion industry. Submissions should be sent to my contact address: katsedia at hotmail. Queries are not necessary. If you have questions, read this.

Saturday, February 26, 2011

Oh, fashion industry pt. 11,285

Exhibit A: "Christian Dior has an unequivocal zero-tolerance policy regarding anti-Semitism and racism."

Exhibit B
I'M JUST SAYING.

Monday, February 14, 2011

Happy Valentine's Day!

From Johnny Weir and Elise Overland



I hope you have a really lovely one.